Exact song and edit
Identify the specific recording, remix or live version. Note the extract, duration and whether the music is foreground, background or adapted.
Want an existing hit, catalogue recording or familiar song in an advert? Clear the recording and underlying composition for the actual campaign, not just the pitch.
An advertising clearance request usually has two separate permissions to organise: the sound recording (master use) and the composition (synchronisation). Each controller may assess the brand, message, product category and creative treatment before approving commercial terms.
Identify the specific recording, remix or live version. Note the extract, duration and whether the music is foreground, background or adapted.
Specify TV and connected TV, cinema, streaming, YouTube, paid social, brand websites, influencer placements and any other intended channels.
Name the brand, product sector, campaign dates, markets, paid-media plans, exclusivity or category restrictions, plus any cut-downs or alternate edits.
Permission to pair the underlying musical work with picture, normally involving the publisher, songwriter or appropriate controller. Ownership splits can mean more than one approval is needed.
Permission to use that exact sound recording. The master controller may differ from the composition controller, and its grant can carry separate commercial restrictions.
A request, quote or agreement in principle is not clearance. Rights-holder acceptance and the executed documents must match the intended use.
An agency selects a recognizable chorus for a 30-second television advert, then plans 15-second cut-downs, vertical video and paid social internationally. Those versions and media should be described in the request rather than assuming a television permission includes every digital placement. The example illustrates scoping only; no particular song is pre-cleared.
Supply the performer, exact recording and a link to the proposed edit.
Provide brand, product category, cut-downs, platforms, markets and dates.
Research who can approve the recording and composition in the requested territories.
Confirm the negotiated scope, conditions and actual executed licences before release.
Send what is known today. Missing information can be flagged; no need to invent a budget or guess the rights owner.
No. Access to listen to a track is not normally a grant of the necessary audio-visual synchronisation and master-use permissions.
Sometimes the parties agree a defined multi-platform grant, but it must be written into the terms. Do not assume coverage of additional edits, paid social or a wider territory.
A newly produced recording can avoid copying the original master, but permission for the underlying song and any adaptations may still be necessary. Check the agreed use and recording rights.
Timing depends on the controllers, approvals and negotiations. Supply exact usage and a feasible deadline early; a quote or favourable conversation is not permission.
Send details straight to Audio Motion Music's private licensing team. You can provide additional audio or confidential documents securely after initial review. This enquiry does not clear a recording or guarantee a quote.
Send a rights enquiry straight to AMM’s private licensing pipeline. We can review the brief, identify missing details and discuss the practical clearance route. No approval, fee or completion date is guaranteed.
Educational background: PRS for Music: commercial sync licensing ↗ · ASCAP: acquiring music rights for film ↗. Guidance is general and does not replace a review of the actual agreements or specialist legal advice.