Built for the scene
Develop tempo, tone, structure and musical movement around the edit rather than forcing a pre-existing track into the moment.
ORIGINAL COMPOSITION
Original music shaped to the edit.
Commission bespoke music for film, television, advertising, trailers and games. Audio Motion develops the sound around the story, timing, energy and delivery needs of the project.
BESPOKE COMPOSITION BRIEF
Specify the sound and the rights before composition starts.
Bespoke music can follow picture, reflect a brand identity and support multiple edits. Creative scope and rights scope still need separate decisions, including who controls the recording and composition.
Picture and direction
Supply a cut or timing map, brand or director brief, musical references, key moments and required deliverables such as 60-, 30-, 15- and 6-second versions.
Review and delivery
Agree milestones, revision rounds, alternate mixes, instrumentals, stems, formats and final approval responsibilities at briefing stage.
Ownership and usage
Specify territories, channels, term, exclusivity, publishing and master arrangements. Commissioning music does not automatically settle every ownership term.
What the brief should produce: A composition scope document connecting the creative brief, version plan, delivery list and proposed rights terms.
COMMISSION A BESPOKE SOUNDTRACK
Original music composition for advertising and branded films.
When a creative idea needs music shaped precisely to picture, send the mood references, film length, cutdowns, milestones and intended uses. We can discuss composition from concept to revised edit, with delivery specifications agreed at the brief stage.
Agency and brand campaigns
Build hooks, transitions or a bespoke sonic identity around the cut. Discuss usage term, markets and any exclusivity requirement before commissioning.
Film, TV and trailers
Define emotional beats, picture-lock timing, scene stems and the full-length and promotional deliverables needed for post-production.
Production-ready handover
Agree revisions, mixes, instrumentals, cue metadata and rights ownership in the commissioning terms. No blanket ownership assumption is made.
Revision-friendly
Keep feedback, creative direction and version changes organised so the music can evolve with the picture.
Delivery-aware
Plan instrumentals, alternate versions, stems and practical deliverables as part of the composition workflow instead of discovering them at the end.
Bespoke music for screen and campaigns
Original composition is useful when a brief needs precise timing, a distinctive sonic identity, a custom arrangement or music that can evolve closely with the edit. Audio Motion works across film, TV, advertising, trailers and games.
A connected creative workflow
The same project can move between original composition and catalogue licensing when the creative direction changes. That means the brief remains the anchor instead of restarting the process every time the route changes.
Already have a reference track?
Send the reference, scene or creative brief. Audio Motion can use it as direction while keeping the final music original to the project and its requirements.
Commissioned music and rights that fit the picture.
Before composing, agree the creative brief, intended uses, master and publishing ownership, licence scope, deliverables and revision process. An original score can simplify coordination, but rights still need clear contracts. Compare our catalogue music licensing, custom arrangements and sync rights guide.
Considering an existing recording instead?
Existing recordings can offer a different creative route. Explore music licensing, clearance and supervision support.
What is different about original music?
Choose bespoke composition when the music must follow the edit, convey brand personality or be supplied in tailored versions rather than fitted from a pre-existing track.
Start with the creative
Reference mood, picture timing, story beats, instrumentation, brand fit and where the track needs to change.
Discuss deliverables
Agree cut-downs, clean or instrumental mixes, stems, revisions, deadlines and delivery format before production.
Clarify rights upfront
Commissioning a track does not by itself define who owns the master, publishing or ongoing usage. Agree those terms in the contract.
Every recording and production has different terms. AMM does not claim ownership of third-party songs shown in screen credits; rights are confirmed case by case.