Cinematic reworks
Rebuild energy, texture, instrumentation or scale for a trailer, advert or dramatic sequence.
An existing song can be the right idea but the wrong shape for the edit. We help adapt musical material for new scenes, timings and creative directions, while keeping rights approval separate from the arrangement itself.
Rebuild energy, texture, instrumentation or scale for a trailer, advert or dramatic sequence.
Develop short edits, instrumental versions, clean alternatives, loop points and broadcast-conscious deliveries.
Explore new performances of musical elements where a project needs a different recording or creative treatment.
Share the reference track, cut, duration and what must change.
Identify existing composition and master rights that may require consent.
Develop the arrangement and work through picture-led revisions.
Prepare agreed mixes and stems for the production workflow.
Often, yes. An arrangement does not itself provide rights to an existing composition or sound recording. We identify the relevant permission route before commercial use.
That can be scoped in the brief alongside other versions. The available delivery formats depend on the project.
Yes. Original composition starts from a new musical work; reworks and arrangements begin with existing material or a reference that may involve separate rights checks.
The same project may need more than one music or rights workflow.
Send the intended use, territory, timeline and the stage your project is at. We’ll confirm what support is appropriate and what information is needed next.
A trailer arrangement, new lyric, substantial adaptation or re-recording may require approval from the composition owners. Commissioning a new master does not make the song free to use. We assess the proposed changes and identify which authorisations need to be requested.
For an original commission, agree the creative direction, ownership and permitted uses in the brief before production starts. Specify deliverables, revisions and who is authorised to exploit the recording and composition.
Typical requested materials include full-length mixes, 30-second and 15-second edits, instrumentals, clean versions, stems and alternate energy levels. Actual deliverables depend on the project and should be confirmed before the deadline.
Arrangement and recording fees depend on composition complexity, musicians, session needs, revisions, deadlines and the type of licence. Third-party rights holder fees, when needed, are distinct from the cost of creating the new version.