Famous songs & chart hits
Rights research and outreach for recognisable commercial songs, back-catalogue classics and contemporary releases, regardless of label size.
Want to use a chart hit, iconic catalogue track or major-label recording in an advert, film, TV programme, trailer, game or branded campaign? Audio Motion Music can help research the rights, approach the relevant controllers and coordinate proposed terms and approvals. We work on the clearance process; we do not assume that any song is available.
Rights research and outreach for recognisable commercial songs, back-catalogue classics and contemporary releases, regardless of label size.
Identify the controller of the specific sound recording and coordinate requests for master-use approval, including label and artist approvals where required.
Trace publishers, composers and co-writers as necessary, coordinate synchronisation permission requests and account for multiple publishing shares.
Scope proposed use for brand campaigns, broadcast programmes, documentaries, feature films and streaming productions.
Define formats such as trailers, gameplay, online video, paid social and international digital campaigns as part of the request.
Organise usage details, rightsholder responses, quote comparisons, clearance conditions and the final evidence trail.
For the original recording of a commercially released song used with moving images, permissions are generally needed from both the musical composition side (writers/publishers) and the sound-recording side (master owner/label). Several parties may control portions of a right. Fees, approvals and contract scope are assessed case by case. A new cover or re-recording may change the recording-rights requirements, but does not automatically eliminate the need to clear the composition or any additional approvals.
Permission for the underlying musical work: melody, composition and lyrics, as applicable.
Permission for the actual recording: the performance and recording owned or controlled by a label, artist or other rights holder.
Duration, media, territories, term, exclusivity, context, edits, paid placements and budget can all affect proposed licensing terms.
For use of a fragment inside a new recording, see our sample clearance service. For selecting tracks from our own curated catalogue, see music licensing. This service addresses clearance enquiries for pre-existing third-party commercial releases.
Confirm the specific recording, cut, context, media, term, territories, length, budget and deadline.
Research master and publishing ownership, co-writers, administrators and any additional approvals.
Coordinate enquiries and proposed commercial terms; flag conditional quotes and approval dependencies.
Organise signed grants, conditions and deliverables. No request or quote is presented as a licence.
We can review the requested use, research ownership and help coordinate a clearance approach for well-known repertoire. We cannot guarantee that a rightsholder will approve the use, respond, or offer terms within a particular budget or timeline.
There is no universal fixed price. Fees depend on the rights holders, track, media, territory, duration, term, brand context, exclusivity, artist approvals and other requested terms. We can help prepare a complete enquiry for a meaningful quote.
No. Using a commercial recording in film or advertising usually involves synchronisation and master-use clearances. Sampling a sound recording into a new track involves a different recording and composition permission analysis. We can help route the brief appropriately.
A new recording may avoid licensing the original master, but composition permission and possible additional consent can still be required for the intended use. Re-recording or adapting a song is not a shortcut around all rights.
Song title and performer, recording/version, production type, exact use and length, online/broadcast/cinema/game media, countries, proposed term, budget, deadline and whether lyrics, samples, edits or re-recordings are involved.
Only once all necessary permissions for the intended use are in place and conditions are met. An enquiry, provisional quote, rights-holder conversation or generic public performance licence is not a substitute for the required synchronisation/master agreements.
Include the song title, performer and version, production, intended media, territory, duration, term, budget and deadline. For brand work, describe the brand and creative context. We will review the enquiry and outline what further rights research may be required.
Rights availability, fees, timing and final permission remain subject to the relevant rights holders. Audio Motion Music does not claim to control third-party major-label catalogues.