Picture-lock details
Identify the cue, timing, footage context, exact song version and whether the music appears on camera, in the background, over credits or in a trailer.
A powerful song can make the scene. Its permission needs to survive the edit, the festival run, the broadcaster and the later streaming release. We help teams define and document that use.
For existing recorded music, a film or TV production will typically need permission to synchronise the composition and use the chosen master recording. Territory, term, distribution, music edits and promotional rights can materially change the request.
Identify the cue, timing, footage context, exact song version and whether the music appears on camera, in the background, over credits or in a trailer.
Describe theatrical, festival, broadcast, subscription or advertising-funded VOD, home entertainment, international sales and known commissioning requirements.
Trailers, teasers, social clips, broadcaster promos, soundtrack use and behind-the-scenes content may require separate or expressly included rights.
Permission to pair the underlying musical work with picture, normally involving the publisher, songwriter or appropriate controller. Ownership splits can mean more than one approval is needed.
Permission to use that exact sound recording. The master controller may differ from the composition controller, and its grant can carry separate commercial restrictions.
A request, quote or agreement in principle is not clearance. Rights-holder acceptance and the executed documents must match the intended use.
A producer wants one recognisable recording under an interview montage. The film may premiere at festivals before a potential international streaming deal. A festival-only licence should not be assumed to cover future broadcast or streaming. Describe both the confirmed release and any proposed future windows in the clearance request.
Provide the timecode, exact master, music duration and scene description.
Map theatrical, festival, broadcast, VOD and promotional use by territory and term.
Identify recording and composition owners, including relevant split or territorial approvals.
Check executed grants against the actual picture and delivery requirements before release.
Send what is known today. Missing information can be flagged; no need to invent a budget or guess the rights owner.
Not automatically. The signed agreement must cover the relevant platform, market and term; festival-only grants can be narrower.
Check explicitly. Promotional uses can be excluded or negotiated separately, especially if the music appears in a different edit.
No. A cue sheet helps document musical use and reporting, but it does not replace the necessary master and composition permissions.
Both can require permissions for existing recordings and compositions. The particular footage, context, exceptions and territories need fact-specific assessment; do not assume a documentary automatically qualifies for an exception.
Send details straight to Audio Motion Music's private licensing team. You can provide additional audio or confidential documents securely after initial review. This enquiry does not clear a recording or guarantee a quote.
Send a rights enquiry straight to AMM’s private licensing pipeline. We can review the brief, identify missing details and discuss the practical clearance route. No approval, fee or completion date is guaranteed.
Educational background: ASCAP: checklist for music in audio-visual works ↗ · PRS for Music: commercial sync licensing ↗. Guidance is general and does not replace a review of the actual agreements or specialist legal advice.