AUDIO MOTION MUSIC
AUDIO MOTION MUSIC / RIGHTS READY

What does your picture need from the music?

Make the creative decision first, then work out the permissions. This local planning tool helps producers, supervisors, agencies and artists choose the right route and prepare a useful enquiry.

No login. No automated quote or rights clearance. Your answers stay in this browser page until you choose to copy them.

01 / THE BRIEF

Build the right music request

Provide what is known. “To be confirmed” is better than an invented budget, rights owner or deadline.

KNOW THE DIFFERENCE

Five distinct routes, not one generic “music licence”

Each choice changes the rights questions and creative deliverables. You can also start with a supervisor if you need several services together.

Sync / catalogue music

Existing recordings sourced to a brief. Confirm track suitability, versions, rights control and usage scope.

Famous-song clearance

A specific selected recording. Research composition and master controllers, seek quotes and document approvals.

Original composition

Music created for the edit. Discuss scope, stems, revisions, deliverables and ownership terms.

Music supervision

Creative sourcing and practical rights coordination across a production or multiple cues.

Verify relevant experience

Inspect selected screen credits and role descriptions. Credit evidence does not imply ownership or approval of other songs.

REAL RIGHTS / REAL TERMS

Why the exact intended use matters

A track used in a UK television advert may need additional scope for international paid social, cut-downs, an extended campaign or a re-recorded version. Copyright licence terms can be limited by purpose, territory or time. Planning those uses early reduces preventable back-and-forth; it does not guarantee a fee or approval.

Reading: UK Government copyright and licensing guidance ↗. For any complex rights question, obtain a qualified legal review.