1. Existing catalogue music
Use when you want to search by mood, sound, genre and edit suitability. Verify the real rights scope and any one-stop claim for the proposed use.
The creative brief starts with what the picture needs. The licensing route depends on whether you need an existing catalogue track, a particular commercial song, or something composed to the edit.
Rights, timing, fees and deliverables depend on the recording, rights holders and your final usage. Private catalogue access requires approval.
Use when you want to search by mood, sound, genre and edit suitability. Verify the real rights scope and any one-stop claim for the proposed use.
Use when a specific recording is creatively essential. Expect to research both the recording and the underlying composition, with approvals and fees set by relevant controllers.
Use when the edit, brand sonic identity, stems or transitions require a composition created to brief. Agree the deliverables and usage rights in writing.
| Consideration | Catalogue sync | Famous recording | Original composition |
|---|---|---|---|
| Starting point | Brief and shortlist | Exact song/version | Creative specification |
| Primary effort | Find, assess, verify licence | Identify and obtain required approvals | Create, revise, agree rights |
| Creative flexibility | Depends on available edits/stems | Changes may require separate consent | Can be built to picture subject to agreement |
| Price certainty | Dependent on catalogue and usage terms | Subject to owners and campaign context | Scope, production and rights negotiate upfront |
| Best early question | What track fits, and can we use it? | Will the controllers approve this use? | What exactly must the music do? |
There is no universal cheapest or fastest route. Pricing and timing change with the actual rights and production context.
Using recorded music with picture usually involves permission for the composition (the underlying song) and the chosen master recording. A fresh re-recording can change the master-rights question, but it does not automatically remove the need to address the composition or any adaptation.
Production music libraries may offer convenient terms for specific use cases. Still check the written licence, the identity of any rights controllers and whether the desired media, countries, length of campaign, edits, trailer cut-downs and other deliverables are covered.
For advertisements, rights holders may also consider the brand and product category. For film or TV, the intended release path matters. A festival-only brief may not cover a later broadcaster, streamer or worldwide distribution.
Read the master-versus-composition rights explainer ↗ · Film and TV clearance ↗
Ask whether the exact famous recording is essential. If yes, price and research rights early. A client liking a song does not make it available.
Brief a creative music search around the sound and edit structure rather than copying a protected melody or master.
Commission bespoke music with a clear brief and agreement covering versions, stems, revisions and final usage.
This is a hypothetical production example, not a claim of any particular rights holder's approval or licence price.
Use the detailed music-licensing brief template ↗ or send the brief directly ↗.
Tell us the production, the creative aim, where the music will run, the budget and the deadline. We'll help identify the appropriate licensing or clearance route.
Use the project route planner to identify the likely permission pathway and copy a structured brief before approaching the relevant AMM team. It runs on your device; nothing is submitted until you use an enquiry form.
Build my music brief ↗Review selected work ↗