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His depiction of Gotham in his Batman Returns (1992), his choice of style for the factory in Edward Scissorhands (1990) and the narrative use of shadows in Corpse Bride (2005) are clear examples (out of many, many more) of this . The angular building designs and severe-looking city squares of Gotham Cityevoke the loom and menace present in Lang's Metropolis. Then you've got the huge German expressionism influence on Tim Burton, one of the main characters is called Max Shreck! Batman Returns' review by John • Letterboxd Received 76 Likes on 61 Posts. Indeed, they even go on to say that it is a "city straight out of Fritz Lang's Metropolis ". Kim Basinger's Vicki Vale was to return. Batman Returns performs 1920s German Expressionism in the same way German Expressionism used to perform high art: Penguin is a look-a-like of Dr. Caligari, Shreck is named after the lead actor of Nosferatu: Eine Symphonie des Grauens, and the shadows and settings just ooze the atmosphere of Gothic Romanticism. . Batman Returns (1992) is an American action movie directed by Tim Burton. While Burton's Gotham is taken straight out of films from the German Expressionism movement, Schumacher's Gotham looks like a television set. appreciated this movement and there are expressionist ideas and designs throughout his work, for example, Batman Returns, Edward Scissorhands and The Nightmare before . The craziest weirdest batman film ever made. Tim Burton's visual style is also very similar to the German expressionism used in "The Cabinet of Dr. Caligari" very scary and dark. Cinema Sem Lei has made a nice supercut video essay that explores the influence of German Expressionism on the films of Tim Burton. An iron maiden was used for Bruce Wayne's entry into the Batcave. Donald Trump's administration was a plot in 'Batman Returns' . His stylistic techniques, influenced by German Expressionism, are very unique. A lot of bold shapes and lines designed to elicit feeling and mood, but not to be objectively defined or quantified. It proves that it is possible to make a film that still feels modern while also employing art techniques from the infancy of the film industry. As a story though it is a bit slow, and as a Batman story, it still leaves something to be desired. Anyways. This is tim burton at his most operatic, stylish and strangest. Tim Burton's second Batman film is nasty, hilarious, and most importantly, just barely PG-13.